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Running a Con Game Like a Pro

As I stare down the barrel of GenghisCon this weekend, I’d like to share a few thoughts on what I think goes into running a good one-shot RPG session for a game convention. Being a Game Master for group of friends is one thing. GMing for a group of strangers you may never see again is something else entirely.

Pre-gen Characters

You’ve only got four hours. Do you really want to spend any of that time rolling up characters? As opposed to, you know, playing the game? Of course not. And while making those character ahead of time, you might want to make sure they have:

  • Gender Mix: Not everyone is comfortable playing characters of a gender other than what they are. Ideally, character gender shouldn’t matter to the adventure, so you can name the characters “Terry” and “Ralor the Seeker” and “TX-1099” and let the players pick the characters’ genders themselves. If you need to have gendered characters, make sure you’ve got an even mix of male and female; even then, let players know they can change character gender (and even name) as they see fit in order to best enjoy the game.
  • Character Motivation: Make sure every character has a compelling reason to be on this adventure. It doesn’t have to be much, but enough that players aren’t tempted to say “My character is more interesting in this other thing” that derails the session.
  • An Easy Roleplaying Hook: This could be an accent, an accessory, a verbal tic… something fun and easy for players to grab onto if they want to.
  • Unique Team Role: Every player should have a time to shine. That’s harder to do when everyone’s shining at once. Each character should be the best there is at one thing: the sniper, the scout, the hairdresser with the fastest scissors in the West.
  • Overlapping Competency: That said, you need to make sure the adventure won’t collapse on itself like a black hole with a broken leg if one of the characters isn’t played. If the adventure requires a hairdresser in order to be completed, make sure at least one other character can use a pair of scissors without hurting himself.

Tabletop Accessories

This is my catch-all for all the stuff on the table that isn’t dice or character sheets.

  • Maps and Miniatures: If your game uses battle maps, make sure you’ve got them prepped before showing up. It sucks to put the game on hold while you sketch out the battlefield on a dry-erase grid. (Yes, I’ve done that. No, I’m not proud.)
  • Cheat Sheets: No more than one page long, these things briefly list mechanics or setting details the players may need to reference during the game. If they’re character-specific (like spells or special abilities), consider printing them as part of the character’s sheet.
  • Handouts: Classic handouts are things like letters from an important NPC, clippings from newspapers, and notes written in a script that needs to be deciphered before it can be read. (Which reminds me: I should do some newspaper clippings for my Ghost Punchers game tomorrow.)
  • Table Tents: There are several varieties of these things, but the basic model sits in front of the player and displays her character’s name. It makes it much easier to remember everyone’s names, which in turn enhances roleplaying and immersion.

Adventure Tips

“That’s all well and good,” you may say, looking at me over your glasses. “But that’s all useless without an adventure to run. Have you any suggestions for creating such an adventure?” Of course I do.

  • High Stakes, High Octane: This isn’t your home campaign that has to last for another two years. This is a single shot of exciting adventure. Pull out all the stops! Put the world in danger! Blow it up! No one cares, so long as they’re having fun.
  • Obvious Goals: With such a limited amount of time, you don’t want your players puttering around looking for plot hooks for the first 30 minutes. Tell ’em what’s up in the first scene – or even before the game begins. (“You’re all vassals of the Doughnut King, and he’s sent you to kill the Pickle Demon that’s been harassing local travelers.”) That doesn’t mean you can’t switch things around and add mystery once the players are engaged (“The Pickle Demon is working for the Doughnut Queen!”), but don’t lead with it.
  • Modularity: Design your adventure with an eye towards dividing it into modular chunks. Not only does this give you satisfying break points (for bathroom breaks and the like), but it makes it easier to adjust the adventure on the fly. If things are going faster than you’d expected, toss in another module between two that you were already planning. If the game is dragging a bit, snip out a module with a bit of narrative hand-waving (“…two days later, you arrive at the hidden temple in the middle of the jungle…”) and keep the game on track.

This isn’t the first guide to running convention guides around. It’s probably not the first one posted this month. But it’s the first one I’ve written, so if you have any additional ideas of how to run a con game, I’d love to see them in the comments.

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3 thoughts on “Running a Con Game Like a Pro”

  1. Outstanding advice on all points, sir!

    I have seen all of these things make the difference between an enjoyable, professional con game and a mediocre, uninteresting game.

    There are a hundred Dos and Don’ts for running a con game, and this is a good start!

  2. Nicely written and organized article, Darrell. I’d love to see some additional advice on summarizing settings/genres for players. It especially applies to homebrew settings, with which I know you have some experience 🙂 Specifically, how do you decide the most important setting information to convey without regurgitating the equivalent of dozens of authored pages?

    1. Good question! In a con game, it’s easy to slip into full “info-dump” mode and fill the players’ ears with setting info until their eyes glaze over. Even worse (and I know I’ve done it) is unleashing the info-dump at the start of the session, before the players are even invested in the game.

      So, some suggestions:

      • Keep the intro short. Like one minute, maybe two tops. Maybe even practice this elevator pitch to make sure it’s tight.
      • Don’t be afraid to reference influences in order to convey the setting as quickly as possible. (“It’s like Mad Max but underwater, with wizards who are like Jedi.”)
      • If necessary, make the world write-up one of the handouts and let players read it over at their leisure.
      • If there are specific bits of lore needed for the plot, bring them up as necessary. (“The puncture marks look like they came from a TurboShark, a cyborg predator fish common in this area. It’s also the sigil of House Sinister.”) By keeping it in bite-sized chunks, the setting info intrigues the players, rather than overwhelming them.

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